We make things from what's left.

Highsociety Studio is an Italian design practice. We explore the space where agriculture, biology and material culture meet.

Agriluma Tobacco pendant lamps installed at County Hall, London

Design meets agriculture.

Highsociety Studio began in 2015 with first studies and experiments — Johannes Kiniger, with a background in electrical engineering, and Giulia Farencena Casaro, a designer, testing what agricultural by-products could become. In 2018 the studio was officially founded in South Tyrol, where vineyards meet the Dolomites.

Our work starts in the fields — with farmers who trust us to take their waste seriously. We don't buy commodity materials from catalogs. We build relationships with producers, understand their processes, and design objects around what's actually available.

The result is a collection that changes with the seasons. Some materials are abundant in autumn after harvest. Others peak in spring when breweries ramp up production. This rhythm shapes everything we make — and means every piece has a story rooted in a specific time and place.

How we work

Waste is a design choice.
We don't see agricultural by-products as leftovers — we see them as raw material with character. Hemp fibers from textile mills, pomace from wineries, silver skin from roasteries. Each carries the fingerprint of its origin. Our job is to reveal that, not hide it.
Local supply chains, global impact.
Most of what we use comes from small producers — much of it within 200 km of our studio in South Tyrol. We know our farmers, our brewers, our roasters by name. This isn't just sustainability rhetoric — it's how we ensure every batch of material meets our standards. Short chains mean accountability.
No claims we can't back up.

Some of our materials are biodegradable at the end of their life, others are not — and we say which. We don't put a compostability label on a lamp that contains electronics. What we can promise is how we make things: pressed at low temperature, powered by renewable energy, finished with natural wax instead of synthetic coatings, and no fillers we can't name.

We combine hand-finishing with renewable-energy-powered manufacturing. Each piece is pressed, trimmed, and inspected by hand — but our material formulation and quality control use industrial precision. The result: objects that feel human-made but perform like engineered products.
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Press inquiries

Writing about materials, design or circular production? We are happy to share background, images and samples.